Description: Reclus05_16 1880 Reclus print CATHEDRAL OF UPPSALA, SWEDEN, #16 Nice print titled Cathedrale d'Upsala, from wood engraving with fine detail and clear impression, approx. page size is 27 x 18.5 cm, approx. image size is 19 x 13 cm. From La Nouvelle GĂ©ographie universelle, la terre et les hommes / The Earth and Its Inhabitants, great work of Elisee Reclus. Uppsala Cathedral Uppsala Cathedral (Swedish: Uppsala domkyrka) is a cathedral located centrally in the city of Uppsala, Sweden. It dates back to the late 13th century and at a height of 118.7 m is the largest church building in Scandinavia. Originally built under Roman Catholicism and used for coronations of the Swedish monarch, since the Protestant Reformation, it has been controlled by the Lutheran Church of Sweden. It is now the seat of the Archbishop of the Church of Sweden. History The construction of the cathedral began in 1287 after the archbishopric was moved from Old Uppsala (Swedish: Gamla Uppsala). It took more than a century to complete. When inaugurated in 1435 under archbishop Olaus Laurentii, the cathedral was not completely finished. It was dedicated to Saint Lawrence, highly cherished in all of Sweden at that time; Saint Eric, the patron of Sweden (though never canonised by the Roman Catholic Church); and Saint Olaf, the patron of Norway. It was completed within the following decades. The Cathedral was severely damaged in the conflagration of 1702, which caused extensive damage to its twin spires. When rebuilt, the Renaissance style of 1619 was modernised. Under the architect Carl Harleman (1700-1753) the tall Dutch Renaissance spires were replaced with small, dome-like towers in Baroque style. Between 1885-1893, the architect Helgo Zettervall (1831-1907) oversaw a second restoration, intending for the cathedral a French Gothic revival appearance, which was popular in the late 19th century. The original, medieval style was Baltic International Gothic, characterised by relatively robust brick walls. He replaced the small Baroque towers with tall (French-inspired) spires, including a third, smaller tower on the transept crossing in the same style. Zettervall also so significantly altered large portions of the medieval outer brick walls as to give it a slimmer appearance. He removed the white-washed "blind windows" which had been similar to those on parts of the nearby Holy Trinity Church (Swedish: Helga trefaldighets kyrka). The interior ceiling and walls of the cathedral were decorated in neo-Gothic style. Some depictions, such as one of the Reformation's Martin Luther, added figures beyond the cathedral's medieval heritage. Large portions of cement additions by Zettervall to the exterior structure of the cathedral were removed decades later as they adversely affected the building's fabric. A sign denouncing antisemitism marks the position of the "Jewpig", a relief depicting Jews drinking from a sow. In the Middle Ages, when all houses in Uppsala except the churches were one- or two-storey structures made of wood or sometimes bricks, the cathedral must have seemed even more enormous than today. The church was not the regular place of worship of laypeople until the Reformation. It was reserved for official services of the Catholic Church hierarchy (by the cathedral's canons). The parish churches in Uppsala were the Holy Trinity Church, or "Farmers' Church" (Swedish: Bondkyrkan) as it was often called; Saint Peter's church (Swedish: S:t Pers kyrka); Our Lady's Church (Swedish: Var Fru); and a Franciscan friary. The last three had been built on the east side of the Fyris River (Swedish: Fyrisan), which was (and is) the central business district. They were successively torn down during the Reformation. The Cathedral was also the coronation church for many of Sweden's kings and queens. It was the site of celebrating coronations from the Middle Ages until the end of the 17th century. Thereafter, up until 1872 (when Oscar II was the last Swedish monarch to be ceremonially crowned), Stockholm's Cathedral Storkyrkan was the official coronation church.
Price: 19.96 USD
Location: Zagreb, HR
End Time: 2024-12-17T20:12:03.000Z
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Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Style: Realism
Type: Print
Year of Production: 1880
Original/Reproduction: Original Print
Print Type: Engraving
Size Type/Largest Dimension: Small (Up to 14'')
Date of Creation: 1800-1899
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