Charlie Barnet Saxophonist Hand Signed Autographed 8” x 10” B/W Photograph

Description: Charlie Barnet Saxophonist b no Hand Signed Autographed Vintage 8” x 10” B/W Photograph 3” Tear Center of Photo See photo 1, 3 & 4 Charlie Barnet Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader.[1] Charlie Barnet in The Fabulous Dorseys (1947) Background information Birth name Charles Daly Barnet Born October 26, 1913 New York City, New York, U.S. Died September 4, 1991 (aged 77) San Diego, California, U.S. Genres Swing, big band Occupation(s) Bandleader, musician, composer Instrument Saxophone Years active 1932–1967 Formerly of Buddy DeFranco, Roy Eldridge, Neal Hefti, Billy May His major recordings were "Skyliner", "Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Career This section needs additional citations for verification. (July 2023) By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's Pennsylvania Boys on tenor sax. Always restless, by 1931 he had relocated to Hollywood and appeared as a film extra while trying to interest local bandleaders in hot music, which was increasingly unpopular due to the Great Depression. Late in 1932, aged 18, he returned east and persuaded a contact at CBS' artist bureau to try him out as an orchestra leader. Barnet began recording in October 1933, during an engagement at New York's Park Central Hotel, but was not a great success for most of the 1930s, regularly breaking up his band and changing its style. Early in 1935, he attempted to premiere swing music at New Orleans' Hotel Roosevelt, where Louisiana's colorful Governor Huey Long, disliking the new sound, had the band run out of town by luring them to a bordello, which was then raided. Barnet arranged with Joe Haymes to take several of his now-jobless sidemen, while he himself went on a lark in Havana, as an escort to well-to-do older women. 1936 saw another swinging Barnet edition, which featured the up-and-coming vocal quartet The Modernaires but quickly faded from the scene. The height of Barnet's popularity—and his first truly permanent band—came between 1939 and 1941, a period that began with his hit version of "Cherokee", written by Ray Noble and arranged by Billy May. In 1944, Barnet had another big hit with "Skyliner". In 1947, he started to switch from swing music to bebop. During his swing period, his band included Buddy DeFranco, Neal Hefti, Lena Horne, Barney Kessel, Dodo Marmorosa, Oscar Pettiford, Wes Dean, and Art House, while later versions of the band included Maynard Ferguson, Doc Severinsen, Jimmy Knepper and Clark Terry. Trumpeter Billy May was an arranger in the Charlie Barnet Orchestra before joining Glenn Miller in 1940. Barnet was one of the first bandleaders to integrate his band, with more black musicians working for him than virtually all of the other popular white bandleaders. Trumpeters Roy Eldridge and Frankie Newton and bassist John Kirby joined in 1937. Lena Horne was one of Barnet's vocalists. Unusually, for a mainly white group, Barnet was booked to perform at the Apollo Theater in Harlem and established a new attendance record. He was an outspoken admirer of Count Basie and Duke Ellington. Ellington recorded the Charlie Barnet composition "In a Mizz". In 1939, in a gesture that was warmly appreciated and admired, Count Basie (who was booked 2 days after) lent Barnet some of his charts after his instruments, notes and arrangements had been destroyed in the famous fire at the Palomar Ballroom in Los Angeles (October 2, 1939), which prevented Barnet's last show there. Throughout his career he was an opponent of syrupy arrangements. In the song "The Wrong Idea", he lampooned the "sweet" big band sound of the era. The song was written by Billy May, who later used the same satirical bent in his collaborations with Stan Freberg on Capitol Records including the Lawrence Welk satire "Wunnerful! Wunnerful!" Barnet's was a notorious party band where drinking and vandalism were not uncommon. While Glenn Miller enforced strict standards of dress and deportment, Barnet was more interested in having fun, according to his autobiography Those Swinging Years: The Autobiography of Charlie Barnet. In 1949 he retired, apparently because he had lost interest in music. He was able to retire when he chose because he was one of the few heirs in a very wealthy family. He occasionally returned from retirement for brief tours but never returned to music full-time. In 1956, he released an album, Dance Bash, which was recorded over five years from 1947 to 1952. Known for a unique sound and hard-swinging style on tenor saxophone, Barnet in the late 1930s added the alto saxophone to his arsenal, followed by the soprano saxophone, an instrument that had fallen out of favor after the 1920s and was not generally used in the big band era. In September 1964, Barnet arranged a private party for his musical hero, Duke Ellington, and orchestra to play at Palm Springs' San Jacinto country club. At the door, a small sign painted by Barnet said: "Any complaints about loud music or requests for excessive use of mutes will be grounds for instant expulsion (to a table in the parking lot). Any requests for folk music, twist, watusi, or rock and roll will result in instant execution by golf balls at 20 paces." Barnet did not play at the gathering. Barnet's theme song was "Redskin Rhumba". His autobiography, Those Swinging Years: The Autobiography of Charlie Barnet, written with Stanley Dance, was published in 1984.

Price: 50 USD

Location: New York, New York

End Time: 2025-01-12T21:04:23.000Z

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