Description: RARE 19TH CENTURY FRENCH ANTIQUE STILL LIFE LANDSCAPE IMPRESSIONIST OIL PAINTING ON BOARD BY RENOWNED FRENCH PAINTER, ILLUSTRATOR AND ENGRAVER GUSTAVE DORE. (French 1832-1883). THIS WORK DEPICTS AN INTRIGUING STILL-LIFE SCENE COMPRISED OF A SOLITARY BIRD EATING PEACHES FROM THE GROUND. THIS PAINTING IS WELL OVER 100 YEARS OLD. IT IS SIGNED BY GUSTAVE DORE IN THE LOWER RIGHTHAND CORNER. GOOD OVERALL CONSIDERING ITS AGE. THERE’S WEAR TO THE FRAME AS SHOWN. DIMENSIONS: 12” H x 15” W High: $664,100 (2014). $1,414/sq in (2018). Lots Sold: 79% Gustave Dore (1832 - 1883) was active/lived in France. Gustave Dore is known for Book illustration, engraving, landscapes, battle scenes and history painting. Gustave Dore Born: 1832 - Strasbourg, France Died: 1883 - Paris, France Name variants: Paul Gustave Doré, Paul Louis Dore Paul Gustave Dore (January 6, 1832 - January 23, 1883) was a French artist, engraver, illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving. Doré was born in Strasbourg and his first illustrated story was published at the age of fifteen. His skill had manifested itself even earlier, however. At age five he had been a prodigy troublemaker, playing pranks that were mature beyond his years. Seven years later, he began carving in cement. Subsequently, as a young man, he began work as a literary illustrator in Paris, winning commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante. In 1853, Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated English Bible. A decade later, he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's The Raven, an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883. Doré's English Bible (1866) was a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Covelant Bond Street. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he really excelled as an artist with an individual vision. The completed book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial and socioeconomical success, but the work was disliked by many contemporary critics. Some of these critics were concerned with the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by the Art Journal of "inventing rather than copying." The Westminster Review claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down." The book was a financial success, however, and Doré received commissions from other British publishers. His later works included Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. His work also appeared in the Illustrated London News. He continued to illustrate books until his death of a short illness in Paris in 1883. The city's Père Lachaise Cemetery contains his grave.
Price: 6000 USD
Location: Pasadena, California
End Time: 2024-07-21T17:17:48.000Z
Shipping Cost: 0 USD
Product Images
Item Specifics
All returns accepted: ReturnsNotAccepted
Artist: Gustave Dore
Unit of Sale: Single Piece
Signed By: Gustave Dore
Size: Medium
Signed: Yes
Period: Victorian (1830-1900)
Material: Oil On Board
Item Length: 15 in
Region of Origin: France
Framing: Framed
Subject: Bird Fruit Landscape
Type: Painting
Original/Licensed Reproduction: Original
Item Height: 12 in
Theme: Art, French Bird Still Life
Style: Impressionism
Features: One of a Kind (OOAK)
Production Technique: Oil Painting
Country/Region of Manufacture: France
Item Width: 15 in
Culture: Old French Impressionist
Handmade: Yes
Time Period Produced: 1850-1899