Handbook of Psychobiography: A Great Commentary on Nagarjuna's Mulamadhyamakakar

Description: Handbook of Psychobiography by William Todd Schultz This exceptionally readable and down-to-earth handbook is destined to become the definitive guide to psychobiological research, the application of psychological theory and research to individual lives of historical importance. It brings together for the first time the worlds leading psychobiographers, writing lucidly on many of the major figures of our age - from Osama Bin Laden to Elvis Presley. FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description This exceptionally readable and down-to-earth handbook is destined to become the definitive guide to psychobiographical research, the application of psychological theory and research to individual lives of historical importance. It brings together for the first time the worlds leading psychobiographers, writing lucidly on many of the major figures of our age - from Osama Bin Laden to Elvis Presley. The first section of the book addresses the subject of how toconstruct an effective psychobiography. Editor William Todd Schultz introduces the field, provides valuable definitions of good and bad psychobiography, discusses an optimal structure for biographicaldata. Dan McAdams explores the question of what psychobiographers might learn from current research in personality psychology. Alan Elms delivers wise advice on the tricky subject of theory choice in psychobiography. William Runyan asks why Van Gogh cut off his ear, and in the process explains how one evaluates competing interpretations of the same event in a subjects life. And Kate Isaacson describes a template for use in multiple-case psychobiography. Never before has method inpsychobiography been so clearly and explicitly addressed. Those just getting started in the field will find in Section One a detailed roadmap for success. The remaining sections of the book are composed ofrichly engaging case studies of famous artists, psychologists, and politicians. They address compelling questions such as: What are the subjective origins of photographer Diane Arbuss obsession with freaks? In what ways did the early loss of Sylvia Plaths father affect her poetry and presage her suicide? Out of what painful life experience did James Barrie drive himself to invent Peter Pan? Why did Elvis experience such difficulty singing the song "Are You Lonesome Tonight?" Whataccounts for Bin Ladens radicalism, Kim Jong Ils paranoia, George W. Bushs conflict with identity? Why did Freud go so disastrously astray in his analysis of Leonardo? What made psychologist GordonAllports meeting with Freud so pungently significant? How did the loss of his father determine major elements of Nietzsches philosophy? These questions and many more get answered, often in surprising and incisive fashion. Additional chapters take up the lives of Harvard operationist S.S. Stevens, Erik Erikson, Edith Wharton, Saddam Hussein, Truman Capote, Kathryn Harrison, Jack Kerouac, and others. Within each case study, tips are proffered along the way as to how psychobiography can bedone more cogently, more intelligently, and more valuably. Author Biography William Todd Schultz is at Pacific University, Oregon. Table of Contents Section One: How to Write a PsychobiographyChapter 1: William: Introducing PsychobiograpyTodd SchultzChapter 2: William McKinley Runyan: Evolving Conceptions of Psychobiography and the Study of Lives: Encounters with Psychoanalysis, Personality Psychology, and Historical ScienceChapter 3: William Todd Schultz: How to Strike Psychological Paydirt in Biographical DataChapter 4: Dan P. McAdams: What Psychobiographers Might Learn from Personality PsychologyChapter 5: Alan C. Elms: If the Glove Fits: Choosing a Theory in PsychobiographyChapter 6: William M. Runyan: How to Critically Evaluate Alternative Explanations of Life Events: The Case of Van GoghChapter 7: Kate Isaacson: Multiple Case Psychobiography: Method and TheoryChapter 8: William Todd Schultz: Diane Arbus Photographic Autobiography: Method and Theory AppliedSection Two: A Psychobiograpy of ArtistsChapter 9: William Todd Schultz: Nothing Alive Can Be Calculated: The Psychobiographical Study of ArtistsChapter 10: Alan C. Elms & Bruce Heller: Twelve Ways to Say Lonesome: Assessing Error and Control in the Music of Elvis PresleyChapter 11: William Todd Schultz: Mourning, Melancholia, and Sylvia PlathChapter 12: Dan Ogilvie: Margarets SmileChapter 13: James Anderson: Edith Wharton and Ethan Frome: A Psychobiographical ExplorationSection Three: Psychobiography of PsychologistsChapter 14: James Anderson: The Psychobiographical Study of PsychologistsChapter 15: Alan C. Elms: Freud as Leonardo: Why the First Psychobiography Went WrongChapter 16: Nicole Barenbaum: Four, Two, or One? Gordon Allport and the Unique PersonalityChapter 17: Kyle Arnold & George Atwood: Nietzsches MadnessChapter 18: Irving Alexander: Erikson and Psychobiography, Psychobiography and EriksonChapter 19: an Nicholson: From the Book of Mormon to the Operational Definition: The Existential Project of S.S. StevensSection Four: Alan C. Elms & Anna V. Song: Psychobiography of Political FiguresChapter 21: Anthony Dennis: Osama Bin Laden: The Sum of All FearsChapter 22: Stanley Renshon: In His Fathers Shadow: George W. Bush and the Politics of Personal TransformationChapter 23: Anna V. Song: Elusion, Illusion, and Kim Jong IlChapter 24: Betty Glad: Psychobiography in Context: Predicting the Behavior of Tyrants Review "William Todd Schultzs Handbook of Psychobiography is a very welcome contribution in many ways. Above all, it keeps alive the revolution in understanding individual human lives that Gordon Allport, Henry Murray, and Erik Erikson launched, and it carries that revolution into the post-September 11 era. One could hardly ask for more." --Lawrence J. Friedman, Visiting Professor of the History of Science, Harvard University"An invaluable professional collection, bridging both art and science, that should do much to legitimize this whole tradition of thought that is so critical to the future of our intellectual life." --Paul Roazen, Professor Emeritus of Social and Political Science, York University in Toronto and author of On the Freud Watch: Public Memoirs"A welcome addition to an increasing number of contributions validating the claim that narrative should be taken as the root metaphor for psychology. The various chapters reveal lives as lived, a refreshing alternative to traditional personality studies that can only satisfy the researchers appetite for large numbers of subjects, in the process sacrificing any claim to depth of understanding." --Theodore R. Sarbin, Emeritus Professor of Psychology andCriminology, University of California-Santa Cruz"Drawing on leading contributors to psychobiography, Professor Schultz has created a handbook that defines and advances the state of the art and applied science. It tells the reader how to do it, and maybe more importantly, how not to do it, and it illustrates psychobiography at its best, illuminating the lives of notable artists, psychologists, and political figures. It is a solid contribution to the idiographic and holistic study of personality. It wouldmake an excellent text for advanced undergraduates or graduates. And, unusual for a handbook, it is just a very good read." --M. Brewster, Professor Emeritus, University of California-Santa Cruz"Disciplined psychobiographical studies are finding a place within the scientifically respectable main currents of personality psychology. This book, which brings together methodological and substantive contributions by the major scholars who do psychobiography studies, should set the standard for the field. Fortified with the advice and examples from this Handbook, personality psychologists and others interested in deeper interpretations of significantcontemporary and historical gures will be encouraged and emboldened." --David Winter, Professor of Psychology, University of Michigan"A definitive, rewarding, clearly written collection, essential for students and professional alike interested in personality and biography or the application of psychological theory to life-stories." --Bertram J. Cohler, William Rainy Harper Professor, The University of Chicago"The book certainly deserves the designation handbook because it not only provides sections on methodology and content but also blends the two to illustrate critical points about the field...This volume should see wide use."--CHOICE"This is a landmark book. All the major living psychobiographers are represented here as chapter authors... This Handbook, more than any other singular contribution, will move psychobiography forward."--PsycCRITIQUES"All academic libraries worth their name should immediately add the Handbook of Psychobiography to their collection. It is a useful text for both student and advanced practitioners. Anyone doing psychobiographical work should have the Handbook close by at all times--it is that good."--Henry Lawton, Clios Psyche"As befits a handbook, its coverage is broad and diverse....All historians of psychology are likely to find something of interest in the five insightful psychobiographical sketches of individual psychologists... [Alan] Elms chapter well reflects the overall message of this handbook writ small: Psychobiography offers a fascinating and enormously promising approach to both psychology and history."--Journal of the History of the BehavioralSciences"A rich smorgasbord of biographies, as well as of methodologies...Schultzs Handbook of Psychobiography is a collection of essays significantly advancing our knowledge of the discipline...It can also be read with great value by biographers, clinicians, historians, journalists, political psychologists, psychohistorians, and scholars from many other disciplines."--Paul Elovitz, Journal of Psychohistory"The book certainly deserves the designation handbook because it not only provides sections on methodology but also blends the two to illustrate critical points about the field...This volume should see wide use."--CHOICE"This is a landmark book. All the major living psychobiographers are represented here as chapter authors... This Handbook, more than any other singular contribution, will move psychobiography forward."--PsycCRITIQUES"All academic libraries worth their name should immediately add the Handbook of Psychobiography to their collection. It is a useful text for both student and advanced practitioners. Anyone doing psychobiographical work should have the Handbook close by at all times--it is that good."--Henry Lawton, Clios Psyche"As befits a handbook, its coverage is broad and diverse....All historians of psychology are likely to find something of interest in the five insightful psychobiographical sketches of individual psychologists... [Alan] Elms chapter well reflects the overall message of this handbook writ small: Psychobiography offers a fascinating and enormously promising approach to both psychology and history."--Journal of the History of the BehavioralSciences"A rich smorgasbord of biographies, as well as of methodologies...Schultzs Handbook of Psychobiography is a collection of essays significantly advancing our knowledge of the discipline...It can also be read with great value by biographers, clinicians, historians, journalists, political psychologists, psychohistorians, and scholars from many other disciplines."--Paul Elovitz, Journal of Psychohistory Long Description This exceptionally readable and down-to-earth handbook is destined to become the definitive guide to psychobiographical research, the application of psychological theory and research to individual lives of historical importance. It brings together for the first time the worlds leading psychobiographers, writing lucidly on many of the major figures of our age - from Osama Bin Laden to Elvis Presley. The first section of the book addresses the subject of how toconstruct an effective psychobiography. Editor William Todd Schultz introduces the field, provides valuable definitions of good and bad psychobiography, discusses an optimal structure for biographical data. Dan McAdams explores the question of what psychobiographers might learn from current research inpersonality psychology. Alan Elms delivers wise advice on the tricky subject of theory choice in psychobiography. William Runyan asks why Van Gogh cut off his ear, and in the process explains how one evaluates competing interpretations of the same event in a subjects life. And Kate Isaacson describes a template for use in multiple-case psychobiography. Never before has method in psychobiography been so clearly and explicitly addressed. Those just getting started in the field will find inSection One a detailed roadmap for success. The remaining sections of the book are composed of richly engaging case studies of famous artists, psychologists, and politicians. They address compelling questions such as: What are the subjective origins of photographer Diane Arbuss obsession withfreaks? In what ways did the early loss of Sylvia Plaths father affect her poetry and presage her suicide? Out of what painful life experience did James Barrie drive himself to invent Peter Pan? Why did Elvis experience such difficulty singing the song "Are You Lonesome Tonight?" What accounts for Bin Ladens radicalism, Kim Jong Ils paranoia, George W. Bushs conflict with identity? Why did Freud go so disastrously astray in his analysis of Leonardo? What made psychologist GordonAllports meeting with Freud so pungently significant? How did the loss of his father determine major elements of Nietzsches philosophy? These questions and many more get answered, often in surprising and incisive fashion. Additional chapters take up the lives of Harvard operationist S.S. Stevens,Erik Erikson, Edith Wharton, Saddam Hussein, Truman Capote, Kathryn Harrison, Jack Kerouac, and others. Within each case study, tips are proffered along the way as to how psychobiography can be done more cogently, more intelligently, and more valuably. Review Text "William Todd Schultzs Handbook of Psychobiography is a very welcome contribution in many ways. Above all, it keeps alive the revolution in understanding individual human lives that Gordon Allport, Henry Murray, and Erik Erikson launched, and it carries that revolution into the post-September 11 era. One could hardly ask for more." --Lawrence J. Friedman, Visiting Professor of the History of Science, Harvard University"An invaluable professional collection, bridging both art and science, that should do much to legitimize this whole tradition of thought that is so critical to the future of our intellectual life." --Paul Roazen, Professor Emeritus of Social and Political Science, York University in Toronto and author of On the Freud Watch: Public Memoirs"A welcome addition to an increasing number of contributions validating the claim that narrative should be taken as the root metaphor for psychology. The various chapters reveal lives as lived, a refreshing alternative to traditional personality studies that can only satisfy the researchers appetite for large numbers of subjects, in the process sacrificing any claim to depth of understanding." --Theodore R. Sarbin, Emeritus Professor of Psychology andCriminology, University of California-Santa Cruz"Drawing on leading contributors to psychobiography, Professor Schultz has created a handbook that defines and advances the state of the art and applied science. It tells the reader how to do it, and maybe more importantly, how not to do it, and it illustrates psychobiography at its best, illuminating the lives of notable artists, psychologists, and political figures. It is a solid contribution to the idiographic and holistic study of personality. It wouldmake an excellent text for advanced undergraduates or graduates. And, unusual for a handbook, it is just a very good read." --M. Brewster, Professor Emeritus, University of California-Santa Cruz"Disciplined psychobiographical studies are finding a place within the scientifically respectable main currents of personality psychology. This book, which brings together methodological and substantive contributions by the major scholars who do psychobiography studies, should set the standard for the field. Fortified with the advice and examples from this Handbook, personality psychologists and others interested in deeper interpretations of significantcontemporary and historical gures will be encouraged and emboldened." --David Winter, Professor of Psychology, University of Michigan"A definitive, rewarding, clearly written collection, essential for students and professional alike interested in personality and biography or the application of psychological theory to life-stories." --Bertram J. Cohler, William Rainy Harper Professor, The University of Chicago"The book certainly deserves the designation handbook because it not only provides sections on methodology and content but also blends the two to illustrate critical points about the field...This volume should see wide use."--CHOICE"This is a landmark book. All the major living psychobiographers are represented here as chapter authors... This Handbook, more than any other singular contribution, will move psychobiography forward."--PsycCRITIQUES"All academic libraries worth their name should immediately add the Handbook of Psychobiography to their collection. It is a useful text for both student and advanced practitioners. Anyone doing psychobiographical work should have the Handbook close by at all times--it is that good."--Henry Lawton, Clios Psyche"As befits a handbook, its coverage is broad and diverse....All historians of psychology are likely to find something of interest in the five insightful psychobiographical sketches of individual psychologists... [Alan] Elms chapter well reflects the overall message of this handbook writ small: Psychobiography offers a fascinating and enormously promising approach to both psychology and history."--Journal of the History of the BehavioralSciences"A rich smorgasbord of biographies, as well as of methodologies...Schultzs Handbook of Psychobiography is a collection of essays significantly advancing our knowledge of the discipline...It can also be read with great value by biographers, clinicians, historians, journalists, political psychologists, psychohistorians, and scholars from many other disciplines."--Paul Elovitz, Journal of Psychohistory"The book certainly deserves the designation handbook because it not only provides sections on methodology but also blends the two to illustrate critical points about the field...This volume should see wide use."--CHOICE"This is a landmark book. All the major living psychobiographers are represented here as chapter authors... This Handbook, more than any other singular contribution, will move psychobiography forward."--PsycCRITIQUES"All academic libraries worth their name should immediately add the Handbook of Psychobiography to their collection. It is a useful text for both student and advanced practitioners. Anyone doing psychobiographical work should have the Handbook close by at all times--it is that good."--Henry Lawton, Clios Psyche"As befits a handbook, its coverage is broad and diverse....All historians of psychology are likely to find something of interest in the five insightful psychobiographical sketches of individual psychologists... [Alan] Elms chapter well reflects the overall message of this handbook writ small: Psychobiography offers a fascinating and enormously promising approach to both psychology and history."--Journal of the History of the BehavioralSciences"A rich smorgasbord of biographies, as well as of methodologies...Schultzs Handbook of Psychobiography is a collection of essays significantly advancing our knowledge of the discipline...It can also be read with great value by biographers, clinicians, historians, journalists, political psychologists, psychohistorians, and scholars from many other disciplines."--Paul Elovitz, Journal of Psychohistory Review Quote "William Todd SchultzsHandbook of Psychobiographyis a very welcome contribution in many ways. Above all, it keeps alive the revolution in understanding individual human lives that Gordon Allport, Henry Murray, and Erik Erikson launched, and it carries that revolution into the post-September 11 era. One could hardly ask for more." --Lawrence J. Friedman, Visiting Professor of the History of Science, Harvard University "An invaluable professional collection, bridging both art and science, that should do much to legitimize this whole tradition of thought that is so critical to the future of our intellectual life." --Paul Roazen, Professor Emeritus of Social and Political Science, York University in Toronto and author ofOn the Freud Watch: Public Memoirs "A welcome addition to an increasing number of contributions validating the claim that narrative should be taken as the root metaphor for psychology. The various chapters reveal lives as lived, a refreshing alternative to traditional personality studies that can only satisfy the researchers appetite for large numbers of subjects, in the process sacrificing any claim to depth of understanding." --Theodore R. Sarbin, Emeritus Professor of Psychology and Criminology, University of California-Santa Cruz "Drawing on leading contributors to psychobiography, Professor Schultz has created a handbook that defines and advances the state of the art and applied science. It tells the reader how to do it, and maybe more importantly, how not to do it, and it illustrates psychobiography at its best, illuminating the lives of notable artists, psychologists, and political figures. It is a solid contribution to the idiographic and holistic study of personality. It would make an excellent text for advanced undergraduates or graduates. And, unusual for a handbook, it is just a very good read." --M. Brewster, Professor Emeritus, University of California-Santa Cruz "Disciplined psychobiographical studies are finding a place within the scientifically respectable main currents of personality psychology. This book, which brings together methodological and substantive contributions by the major scholars who do psychobiography studies, should set the standard for the field. Fortified with the advice and examples from this Handbook, personality psychologists and others interested in deeper interpretations of significant contemporary and historical gures will be encouraged and emboldened." --David Winter, Professor of Psychology, University of Michigan "A definitive, rewarding, clearly written collection, essential for students and professional alike interested in personality and biography or the application of psychological theory to life-stories." --Bertram J. Cohler, William Rainy Harper Professor, The University of Chicago "The book certainly deserves the designation handbook because it not only provides sections on methodology and content but also blends the two to illustrate critical points about the field...This volume should see wide use."--CHOICE "This is a landmark book. All the major living psychobiographers are represented here as chapter authors... This Handbook, more than any other singular contribution, will move psychobiography forward."--PsycCRITIQUES "All academic libraries worth their name should immediately add theHandbook of Psychobiographyto their collection. It is a useful text for both student and advanced practitioners. Anyone doing psychobiographical work should have the Handbook close by at all times--it is that good."--Henry Lawton,Clios Psyche "As befits a handbook, its coverage is broad and diverse....All historians of psychology are likely to find something of interest in the five insightful psychobiographical sketches of individual psychologists... [Alan] Elms chapter well reflects the overall message of this handbook writ small:Psychobiographyoffers a fascinating and enormously promising approach to both psychology and history."--Journal of the History of the Behavioral Sciences "A rich smorgasbord of biographies, as well as of methodologies...SchultzsHandbook of Psychobiographyis a collection of essays significantly advancing our knowledge of the discipline...It can also be read with great value by biographers, clinicians, historians, journalists, political psychologists, psychohistorians, and scholars from many other disciplines."--Paul Elovitz,Journal of Psychohistory Promotional "Headline" Section One. How to Write a Psychobiography Chapter 1. William: Introducing Psychobiograpy Todd Schultz Chapter 2. William McKinley Runyan: Evolving Conceptions of Psychobiography and the Study of Lives: Encounters with Psychoanalysis, Personality Psychology, and Historical Science Chapter 3. William Todd Schultz: How to Strike Psychological Paydirt in Biographical Data Chapter 4. Dan P. McAdams: What Psychobiographers Might Learn from Personality Psychology Chapter 5. Alan C. Elms: If the Glove Fits: Choosing a Theory in Psychobiography Chapter 6. William M. Runyan: How to Critically Evaluate Alternative Explanations of Life Events: The Case of Van Gogh Chapter 7. Kate Isaacson: Multiple Case Psychobiography: Method and Theory Chapter 8. William Todd Schultz: Diane Arbus Photographic Autobiography: Method and Theory Applied Section Two. A Psychobiograpy of Artists Chapter 9. William Todd Schultz: Nothing Alive Can Be Calculated: The Psychobiographical Study of Artists Chapter 10. Alan C. Elms and Bruce Heller: Twelve Ways to Say Lonesome: Assessing Error and Control in the Music of Elvis Presley Chapter 11. William Todd Schultz: Mourning, Melancholia, and Sylvia Plath Chapter 12. Dan Ogilvie: Margarets Smile Chapter 13. James Anderson: Edith Wharton and Ethan Frome: A Psychobiographical Exploration Section Three. Psychobiography of Psychologists Chapter 14. James Anderson: The Psychobiographical Study of Psychologists Chapter 15. Alan C. Elms: Freud as Leonardo: Why the First Psychobiography Went Wrong Chapter 16. Nicole Barenbaum: Four, Two, or One? Gordon Allport and the Unique Personality Chapter 17. Kyle Arnold and George Atwood: Nietzsches Madness Chapter 18. Irving Alexander: Erikson and Psychobiography, Psychobiography and Erikson Chapter 19. an Nicholson: From the Book of Mormon to the Operational Definition: The Existential Project of S.S. Stevens Section Four. Alan C. Elms and Anna V. Song: Psychobiography of Political Figures Chapter 21. Anthony Dennis: Osama Bin Laden: The Sum of All Fears Chapter 22. Stanley Renshon: In His Fathers Shadow: George W. Bush and the Politics of Personal Transformation Chapter 23. Anna V. Song: Elusion, Illusion, and Kim Jong Il Chapter 24. Betty Glad: Psychobiography in Context: Predicting the Behavior of Tyrants Details ISBN0195168275 Short Title HANDBK OF PSYCHOBIOGRAPHY Language English ISBN-10 0195168275 ISBN-13 9780195168273 Media Book Format Hardcover Year 2005 Edited by William Todd Schultz Edition 1st Author William Todd Schultz Subtitle A Great Commentary on Nagarjunas Mulamadhyamakakarika Position Senior Lecturer Imprint Oxford University Press Inc Place of Publication New York Country of Publication United States Affiliation Senior Lecturer, University of Sydney DOI 10.1604/9780195168273 UK Release Date 2005-07-28 AU Release Date 2005-07-28 NZ Release Date 2005-07-28 US Release Date 2005-07-28 Illustrator Qu Lan Translator Edward A. Phillips Birth 1927 Death 1851 Qualifications PhD Pages 400 Publisher Oxford University Press Inc Publication Date 2005-07-28 DEWEY 155.2 Illustrations Numerous halftones and tables Audience Professional & Vocational We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:53297310;

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