Description: This listing is for Johnny Guitar Watson I Dont Want To Be A Lone Ranger / You Can Stay 45RPM Single Record 7" Vinyl Single 45 RPM. Label: Fantasy – Fantasy 739Format: Vinyl, 7", 45 RPM, SingleCountry: USReleased: 1975Genre: Funk / SoulStyle: Soul, Funk Condition: Jacket: Paper Sleeve Vinyl: Very Good Tracklist: AI Don't Want To Be A Lone Ranger3:10BYou Can Stay But The Noise Must Go3:32 John Watson Jr. (February 3, 1935 – May 17, 1996), often known professionally as Johnny "Guitar" Watson, was an American musician. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned 40 years, and encompassed rhythm and blues, funk and soul music. Watson recorded throughout the 1950s and 1960s with some success. His 1954 instrumental single "Space Guitar" was the first of his recordings to showcase his electric guitar playing. His creative self-reinvention in the 1970s, with funk overtones, saw Watson have hits with "Ain't That a Bitch" and "Superman Lover". His highest charting single was 1977's "A Real Mother for Ya". A 45 rpm record is a vinyl single with a play speed of 45 revolutions per minute and a standard diameter of 7 inches. It was developed by RCA Victor in 1949 as a response to the LP. 45 RPM records are typically used for singles and extended plays (EPs). They offer less playing time than LPs, but provide better sound quality due to their wider grooves. All 45 records are played prior to listing and graded per eBay's grading system below (subjective). I try to grade on the conservative side. They are shipped in 45rpm mailing boxes and come in sleeve for protection. 7-inch format The most common form of the vinyl single is the "45" or "7-inch". The names are derived from its play speed, 45 rpm (revolutions per minute), and the standard diameter, 7 inches (17.8 cm). The 7-inch 45 rpm record was released March 31, 1949, by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s. Columbia Records, which had released the 33+1⁄3 rpm 12-inch vinyl LP in June 1948, also released 33+1⁄3 rpm 7-inch vinyl singles in March 1949, but they were soon eclipsed by the RCA Victor 45. The first regular production 45 rpm record pressed was "PeeWee the Piccolo": RCA Victor 47-0146 pressed December 7, 1948 at the Sherman Avenue plant in Indianapolis; R.O. Price, plant manager. The claim made that 48-0001 by Eddy Arnold was the first 45 is evidently incorrect (even though 48-0000 has not turned up, 50-0000-Crudup, 51-0000-Meisel, and 52-0000 Goodman are out there) since all 45s were released simultaneously with the 45 player in March 1949. There was plenty of information leaked to the public about the new 45 rpm system through front-page articles in Billboard magazine on December 4, 1948, and again on January 8, 1949. RCA was trying to blunt the lead Columbia had established upon releasing their 33+1⁄3 LP system in June 1948. To compete with Columbia, RCA released albums as boxes of 45 rpm seven-inch singles that could be played continuously like an LP on their record changer. RCA was also releasing 7-inch singles pressed in different colors for different genres, making it easy for customers to find their preferred music. The novelty of multicolored singles wore off soon: by 1952, all RCA singles were pressed in black vinyl. The lowest recording numbers found (so far) for each genre of RCA 45s are: 47-0146 yellow, 47-2715 black, 48-0001 green, 49-0100 deep red, 50-0000 cerise, 51-0000 light blue. 52-0000 deep blue. What became of 48-0000 is not known, perhaps a copyright or other legal problem. The lightweight and inexpensive 45 rpm discs introduced by RCA were quickly popular and in the early 1950s all major US labels had begun manufacturing seven-inch singles. In some regions (e.g. US), the default hole size fitted the original RCA 1.5-inch (3.8 cm) hub which, due to a format war, was incompatible with the 0.25-inch (6.4 mm) spindle of a Columbia-system 33 1/3 RPM 12-inch LP player. In other regions (e.g. UK, Australia), the default was a small hole compatible with a multi-speed 0.25-inch spindle player, but with a "knock out" that could be removed for usage on a larger hub player. In some regions (e.g. UK), 7-inch 45 rpm records were sold for a quarter-inch spindle with a knock out for playing on a 1+1⁄2-inch hub. One could play a large-hole record on a player with a quarter-inch spindle by inserting a single "puck" or by using a spindle adapter. CONDITION Descriptions: I base the condition of each of my Records off of Ebay's Grading System. • MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. • NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. • VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. • GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. • FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. • POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition. Thanks for checking out this item! We have many related items listed, so be sure to check our other listings for similar items! Reasonable offers are highly considered, unreasonable ones are not...Sorry... :-)! Still have a ton of "not listed" inventory, so if you looking for something specific, please inquire as we may just be able to find it for you. We ship 6 days a week, so the faster you pay, the faster we ship! Thanks again for your visit and even more so if you purchase something! I'm sure you will be as happy as we are! • Combined Shipping - Yes, we can combine shipping! 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Price: 5.01 USD
Location: Oswego, Illinois
End Time: 2025-01-03T05:05:44.000Z
Shipping Cost: 6.99 USD
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Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Return policy details:
Artist: Johnny Guitar Watson
Speed: 45 RPM
Record Label: Fantasy
Release Title: I Dont Want To Be A Lone Ranger
Case Type: Paper Sleeve
Color: Black
Material: Vinyl
Edition: Best Of
Type: Single
Format: Record
Release Year: 1975
Language: English
Era: 1970s
Instrument: Guitar
Record Size: 7"
Style: 1970s
Genre: Blues
Country/Region of Manufacture: United States