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Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962

Description: Estate FindMiriam HaworthSerigraph“Flight #2”1962 We offer a serigraph by the California artist Miriam Haworth titled “Flight #2” and dated 1962. The serigraph depicts stylized forms of people against an abstract field of geometric shapes in tones of tans, grays, and blues.The art work is signed in pencil "Haworth” in the image on the lower right corner and “Miriam Haworth 62” in the lower right margin. The title “Flight #2” is written in pencil at the lower left margin.On the reverse, “Flight #2 $85.00” is written in pencil at the upper left corner. At the upper right corner is an Art Rental Service label from the Art Center in La Jolla. Remnants of the artist’s address label is affixed toward the lower right corner.The serigraph measures 24” in width and 34” in height. The image measures 20 1/4” in width and 30 1/2” in height.The serigraph is unframed and affixed to a cardboard backing with the same measurements as the art work. A beige mat board is hinged at the top. There is wear and a tear to the mat board at the bottom edge, but there are no issues to the serigraph.The serigraph by Miriam Haworth is presented in very good vintage condition. Miriam HaworthMiriam Severy Haworth was born in Hamilton, Ontario, Canada in 1922.Miriam Haworth taught screen printing and serigraph printing at the Central School of Art from the late 1960s to the early 1980s. She worked in California as a ceramist, printmaker, and painter.Her prints are in the permanent collections of the Smithsonian American Art Museum, the Museum of Modern Art, the Victoria and Albert Museum Department of Prints and Drawings, the New York Public Library and the Los Angeles County Museum. Three of her serigraphs have won Pennell Purchase Awards at the Library of Congress. Her prints have toured the Orient and Europe. Her work was shown in many major exhibitions of prints and serigraphs among them the 19th International of the National Serigraph Society, annuals of the Honolulu and Boston Printmakers, the Brooklyn Museum 12th National Print Exhibition, and the American Color Print Society's 21st and 22nd Annuals. Miriam Haworth was the first wife of Ted Haworth (1917-1993) an Academy Award-winning art director and their daughter Jann Haworth (b. 1942) is a British-American pop artist who is known as the co-creator of The Beatles' 1967 Sgt. Pepper's Lonely Hearts Club Band album cover. Provenance Ronald F. Stebbings (1929-2020)From “Rice News” August 31,2020 written by Mike Williams, a senior media relations specialist in Rice University's Office of Public Affairs.Ronald Stebbings, a Rice University emeritus professor of space physics and astronomy, died on Aug. 27 in Rockport, Texas, where he lived after his retirement. He was 91.Stebbings was an early member of Rice’s pioneering space science department, established in 1963 by emeritus professor Alexander Dessler shortly after President John F. Kennedy’s moon speech at Rice Stadium. Dessler recruited Stebbings to the university in 1968.Ronald Stebbings served as chair of the Department of Space Physics and Astronomy from 1969 to 1974, became Rice’s dean of undergraduates in 1983, and in 1984 was appointed the university’s first vice president for student affairs. He was a key advocate for the addition of the Ley Student Center to the Rice Memorial Center. He returned to the Department of Physics and Astronomy faculty in 1993 and retired in 1995.A native of London, Stebbings earned a bachelor’s degree and doctorate from the city’s University College London, the latter in 1956. He worked at General Atomics (GA) in San Diego from 1958 to 1965 before returning to University College as a faculty member until his recruitment to Rice.He and his late wife Mona were masters of Jones College from 1977 to 1982 and presided over Jones’ transition from all women to co-ed in 1980. Both were awarded the Rice Alumni Association’s Gold Medal, the organization’s top honor, in 2000.Stebbings specialized in atomic, molecular and optical (AMO) physics and authored or co-authored more than 175 papers.“I first became aware of Ron Stebbings because of his research,” said Dessler, professor emeritus of space physics and astronomy. “Ron’s work, circa 1960, was admirable, definitive and of basic importance to atomic physics and space science.”“He was highly regarded and a recognized leader in the field of atomic collisions as they related to atmospheric science and astrophysics,” said Barry Dunning, Rice’s Sam and Helen Worden Professor of Physics and Astronomy and Stebbings’ first graduate student at University College. “I recall he was involved at GA in ‘Project Defender,’ which came out of the explosion of an atom bomb in the upper atmosphere that shut down radio communications for a time (to understand) how the atmosphere recovered from such an event.“We were among the early pioneers studying the creation and properties of Rydberg atoms, atoms excited to high-lying states using lasers,” he said. “These atoms have unusual physical properties. They are physically very large (if opaque, they would be visible to the naked eye) and are very fragile. We exploited their extreme physical characteristics as a unique laboratory in which to study a host of different reactions and physical processes. They remain a subject of great interest even today in connection with quantum computing, the interface between classical and quantum physics and creation of novel ultralong-range molecules.”Dunning said he and Stebbings jointly edited the first book describing their properties, “The Rydberg States of Atoms and Molecules,” for Cambridge University Press.“Ron, Neal Lane, King Walters and I were the AMO group here for a long time and laid the foundation for an atomic physics program that has long been recognized as one of the top 10 university programs in the nation,” he said.“Ron was the last of a breed, in a way, of a whole generation of atomic physicists who were very interested in collisions of atoms and molecule and electrons and ions,” said Lane, Malcolm Gillis University Professor Emeritus, professor emeritus of physics and astronomy and a senior fellow in science and technology policy at Rice’s Baker Institute. “The field has moved on to other topics, but in the late ’50s, the ’60s and even into the ’70s, there was still a lot of focus on what happens when they crash into one another. And Ron could do the experiments, where I tried to do some of the theory.”Patricia Reiff, a professor of physics and astronomy who earned her doctorate at Rice, said Stebbings’ work on Rydberg atoms seemed interesting but “a bit arcane” until she began to work on NASA’s IMAGE and IBEX missions. “The cross-sections he meticulously determined in the lab were critical for those spacecraft missions to calculate the remote conditions,” she said.Reiff, who arrived as a graduate student in May 1971, recalled Stebbings “immediately set me at ease with his charm and his genuine interest in students. He listened to you, and when he answered, you knew his suggestion was the right one.”Dessler recalled Stebbings telling him he planned to join the administration. “He had decided he could contribute more to Rice and to society by moving from his physics research to university service and administration,” he said. “Ron was remarkably persuasive because of his logical presentations, plus his upper-class British accent.“Just one example illustrates his performance: He changed the way Spring graduation was conducted,” Dessler said. “Consider how difficult it must have been to convince everyone to change something as steeped in tradition as was the Rice graduation ceremony. That he was able to get it changed is a demonstration of his remarkable skill in both logic and persuasion.”Lane’s time as Rice provost also overlapped with Stebbings’ administrative work. “He was terrific in those positions just like he was in his teaching and research,” said Lane. “He was a great colleague to work with in science and education and administration.”He and Mona, Lane said, “are the kind of folks who really made Rice what it is.”

Price: 950 USD

Location: Corpus Christi, Texas

End Time: 2024-11-12T01:45:17.000Z

Shipping Cost: N/A USD

Product Images

Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962Miriam Haworth, California (b. 1922) Serigraph “Flight #2” 1962

Item Specifics

All returns accepted: ReturnsNotAccepted

Artist: Miriam Haworth

Unit of Sale: Single Piece

Signed By: Miriam Haworth

Image Orientation: Portrait

Size: Medium

Signed: Yes

Period: Post-War (1940-1970)

Title: Flight #2

Material: Paper

Original/Licensed Reprint: Original

Region of Origin: California, USA

Framing: Unframed

Type: Serigraph

Year of Production: 1962

Item Height: 34”

Theme: Art

Style: Abstract

Features: Numbered

Production Technique: Screen Printing

Country/Region of Manufacture: United States

Item Width: 24”

Handmade: Yes

Time Period Produced: 1960-1969

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