Description: Original Watercolor By Axel Herman Haig A Small Elegant Cathedral Original Watercolor By Axel Herman Haig A Small Elegant Cathedral Click images to enlarge Description Original Watercolor By Axel Herman Haig A Small Elegant Cathedral Offered here is an original watercolor by Axel Herman Haig. We have listed it as Attributed because it is unsigned, but the style, technique, and subject leave little doubt as to the artist. His training in architecture obviously works to advantage. We only wish he had noted the identity of the cathedral. I've searched through the smaller cathedrals of Great Britain without success. Help from the viewers would be much appreciated. The work is 14" by 10" sight , matted and framed to 21.75" by 18". The frame ia very nice tiger maple and the mat is tastefully decorated which is why we have kept it even though we don't believe it is acid-free. As you will note from the images, Haig's work has brought substantial prices at auction. His large watercolor of St. Fin Barre's Cathedral in Cork sold for $21,523.00 in 2007 (see images). We acquired this at a good price which is reflected in ours. Returns are accepted only in case of misrepresentation but our quarantee of authenticity is without time limit. AXEL HERMAN HAIG Haig was born at Katthamra farm in the parish of Östergarn on the island of Gotland. His parents were Axel Hägg, a landowner and timber merchant, and Anna Margaretha Lindström. He was taught drawing and watercolor painting by Per Arvid (1811–1887) who ran a private drawing school at Visby.] Haig was apprenticed as a shipbuilder at the government dockyard at Karlskrona. In 1856 he went to Glasgow for a further period of training at a firm of Clydeside shipbuilders. But his interests had turned to architecture and in 1859, he undertook a new apprenticeship as a draughtsman in the offices of the Ecclesiastical Commissioners.[1] After seven years there, he launched himself as an The middle years of the nineteenth century saw an explosion in the practice of architectural competitions. The wealth generated by the empire and The Industrial Revolution created the necessary conditions for a vast expansion in civic construction. Commissions for government offices, town halls, churches for private benefactors, railway termini were all put out to tender and competing architects required draughtsmen to illustrate their plans. In 1866 Haig met architect and designer William Burges (1827–1881) when Burges retained him to illustrate his designs for the Royal Courts of Justice in The Strand.[4] Haig produced a series of watercolour illustrations that were "an immediate sensation."[1] The competition's winner, George Edmund Street is said to have remarked, "I wouldn't mind being beaten by drawings like those. Floda Church in Södermanland In 1875, Haig made study trips to Italy and Sicily, which resulted in a multitude of drawings and watercolors of mainly medieval architecture. Haig and Burges continued in partnership until the latter's death in 1881. In that time they produced some of the most spectacular medieval visions of the Victorian Gothic Revival. Cardiff Castle, Knightshayes Court, the Church of Christ the Consoler at Skelton-on-Ure, St Mary's Church, Park House, the Speech Room, Harrow School, Castell Coch, Trinity College, Hartford, Connecticut and the designs for the re-decoration of Saint Paul's Cathedral as Burges designed his most important commissions, so Haig drew them. "In Haig, Burges, the architect of a medieval dreamland, had found an artist worthy of his dreams. All Saints Church designed by Haig in his adopted village of Grayswood Haig developed a second career as an etcher and his drawings and lithographs of European castles, palaces, landscapes and cathedrals became hugely popular in late-Victorian England.[1] In a review of his work published by RIBA in the year of his death, Maurice Adams wrote that "his architectural draughtsmanship ranks without a doubt amongst the foremost of his time and his graphic capability remains unique."[6] Haig was mostly a resident of England, but spent the summers at the family farm on Gotland. Floda Church at Södermanland, Sweden was rebuilt and underwent restoration between 1885–1888 on the basis of his drawings.[7] Haig also designed All Saints Church in Grayswood, Surrey. It was built between 1901 and 1902 in a style described variously as Surrey Vernacular[8] or "13th-century [Gothic] with Arts and Crafts elements". Haig is buried in the graveyard. The church is a Grade II listed building. Get images that make Supersized seem small.Showcase your items with Auctiva's Listing Templates! THE simple solution for eBay sellers. Track Page Views With Auctiva's Counter
Price: 975 USD
Location: Salem, Virginia
End Time: 2024-09-13T14:24:41.000Z
Shipping Cost: 15 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 14 Days
Refund will be given as: Money Back
Type: Painting
Features: One of a Kind (OOAK)
Framing: Matted & Framed
Handmade: Yes
Item Height: 21.75
Item Width: 18 in
Production Technique: Watercolor Painting
Region of Origin: UK
Signed: Yes
Signed By: HAIG
Style: Realism
Subject: Architecture
Unit of Sale: Single Piece