Pierre Marcel-Berroneau (1869-1937) FRENCH Symbolist ORIIGNAL Oil Painting 1905

Description: ARTIST: Pierre Marcel-Beronneau (1869-1937) French TITLE: "Deep Sunset With Distant Industrial Buildings" SIGNED: lower right MEDIUM: oil on board SIZE: 47cm x 39cm inc frame CONDITION: good - has been cleaned and varnished and a small repair lower right completed. Historical paint scratch to the sky has been left untouched. DETAIL: Pierre-Amédée Marcel-Béronneau enrollec at the Municipal School of Fine Arts in Bordeaux. He meets Jérôme Guillaume Fernand Sabatté with whom he leaves to study in Paris. From 1890 he attended the National School of Decorative Arts, then he was admitted to the studio of Gustave Moreau in 1892. Meritorious student, he is a scholarship recipient and receives, with the support of his master, a grant from his hometown . That same year, he exhibited two paintings at the Helpful Links Pierre Marcel-Berroneau "Sunset With Industrial Buildings" Item Description ARTIST: Pierre Marcel-Beronneau (1869-1937) French TITLE: "Deep Sunset With Distant Industrial Buildings" SIGNED: lower right MEDIUM: oil on board SIZE: 47cm x 39cm inc frame CONDITION: good - has been cleaned and varnished and a small repair lower right completed. Historical paint scratch to the sky has been left untouched. DETAIL: Pierre-Amédée Marcel-Béronneau enrollec at the Municipal School of Fine Arts in Bordeaux. He meets Jérôme Guillaume Fernand Sabatté with whom he leaves to study in Paris. From 1890 he attended the National School of Decorative Arts, then he was admitted to the studio of Gustave Moreau in 1892. Meritorious student, he is a scholarship recipient and receives, with the support of his master, a grant from his hometown . That same year, he exhibited two paintings at the Salon of the Society of Friends of the Arts of Bordeaux. He won the 1st Grand Prix of Decorative Arts in 1893; the medal in the sketching contest and the first prize of the Atelier, which rewards his entire production, in 1894. The same year, he is first in the Chenavard competition at the Ecole des Beaux-Art. He started at the Salon of French Artists in 1895 and therefore lays the foundations for a double artistic career. On the one hand, a work of academic tendency that corresponds to the expectations of the public allows him to obtain his first orders from the State. On the other hand, he continues to work on a more personal production, on symbolic themes that recall the influence of Moreau and the mysticism of the Rosicrucians, in whose salon he exhibited in 1897. At that time, he shares his workshop with Georges Rouault. From the end of the first decade of the century the official orders, which until then only rewarded the more traditional works of Béronneau, begin to recognize also his symbolist work. This work of 1905 was painted right in the heart of his symbolist period. He was then named Knight of the Legion of Honor in 1914 and participated in numerous exhibitions abroad such as Stuttgart and Elsener in 1901, London and Saint-Louis in 1904, Montreal in 1909, Ghent in 1913, San Francisco in 1915 and Barcelona and Buenos Aires in 1917. Il étudie à l’Ecole des Beaux Arts de Bordeaux. Inscrit ensuite à Paris à l’Ecole des Arts Décoratifs, il entre en 1892 à l’Ecole Nationale Supérieure des Beaux Arts, dans l’atelier de Gustave Moreau. Il y rencontre Georges Rouault, son futur colocataire d’atelier, boulevard du Montparnasse. Il est bientôt reconnu comme l’un des meilleurs élèves, à tel point que son maître n’hésite pas à écrire au maire de Bordeaux pour lui obtenir une subvention : « M. Béronneau, mon élève, est un excellent travailleur, bien doué et qui est digne à tous égards du plus grand intérêt. ». Il remporte le 1er Grand Prix des Arts Décoratifs en 1893 ; la médaille au concours d’esquisse et le 1er prix de l’Atelier, qui récompense l’ensemble de sa production, en 1894. La même année, il est désigné premier au concours Chenavard par l’Ecole Nationale Supérieure des Beaux Arts. Dès 1895, il expose au Salon des Artistes français. L’œuvre de Marcel-Beronneau se compose d’une double production. La première, académique, est conforme à l’attente officielle du public et lui vaudra rapidement une large reconnaissance. Ainsi, le critique Arsène Alexandre écrira de lui pour le Figaro qu’il est un « grand artiste raffiné », un « peintre délicat, sérieux, souvent profond, qui joint une parfaite probité aux aspirations de pensées les plus élevées ». Il reçoit alors ses premières commandes d’Etat, comme Heure dernière (Musée des Beaux Arts de Bordeaux), en 1899. Il est nommé Chevalier de la Légion d’Honneur en 1914. La seconde partie de sa production est résolument symboliste. Digne élève de Moreau, proche du milieu des Rose-Croix, sensible au mouvement Préraphaélite, il forge son style propre, illustrant plus particulièrement des personnages mythiques et bibliques féminins : Léda, Sapho, Judith, Gorgone et surtout, Salomé. Alain Blondel parle de la «ferveur passionné qu’il a mis à décrire à travers ses héroïnes favorites le mythe de la femme fatale ». Hanté par ces figures à la sensualité exacerbée, il les met en scène dans des compositions fantasmagoriques, réinterprétant le mythe dans une sensibilité symboliste. Muséographie : Musée du Louvre, Paris Musée des Beaux Arts, Bordeaux Musée des Beaux Arts, Marseille Musée départemental de l’Oise, Beauvais BUYER NOTIFICATION: Glass & Glazing: As per our Shipping Terms (found in the shipping tab below) we do not post glass to prevent the high likelihood of transit damage and also for handlers safety- replacement glass costs just a few pounds and can be easily slipped into the picture on arrival where applicable (i.e. prints & watercolours). Frames: Because of the fragile nature of picture frames, all frames are offered free with the painting. You are welcome to ask questions about the frame condition before buying but we cannot accept returns or requests for 'part refunds' because a frame arrives with some existing damage not sustained in transit. About Us Payment Shipping Returns Contact Us About Us Jubilee Galleries specialise in Fine and Applied Art from the late 18th to the late 20th Century. Our particular interest lies in Mid Century modern art and design but appreciation is broad and therefore you may find anything from 1780's portraits to 1980's etchings. We are also a bricks and mortar gallery specialising in 20th Century paintings with the gallery located in Cirencester town centre where you can find over 120 paintings on display. Open daily 10.30-16.30pm. Please add us to your favourites and check back regularly. Payment We also accept cheques & Paypal. We also offer bank transfers for UK buyers. Please make cheques payable to Jubilee Galleries. Shipping All paintings are sold without glass for safety in transit. Replacement glass costs just a few pounds, is easily fitted, and saves the strong likelihood of your artwork getting damaged in the post if glass were included. We ship within a maximum of 3 days of purchase and will use a variety of 24-48 hour parcel carriers including Parcelforce, UPS, Yodel, City Link and Hermes. 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Price: 250 GBP

Location: COTSWOLDS

End Time: 2025-01-02T13:43:53.000Z

Shipping Cost: 67.6 GBP