Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Myles Birket Foster (English, 1825-1899) Title: The Rustic BridgeMedium: Antique engraving on wove paper after the original by master engraver Charles Cousen (British, c. 1819 - 1889).Year: 1872 Condition: Excellent Dimensions: Image Size 7 1/8 x 9 3/4 inches. Framed dimensions: Image Size 16 x 19 inches. Framing: This piece has been professionally matted and framed using all new materials.. Additional notes: This is not a modern print. This impression is more than 145 years old. The strike is crisp and the lines are sharp. Extra Information: A young woman carrying a basket and a child piggy-back, pausing on a wooden foot-bridge over a stream, with a little girl in front of her who leans her chin on the bar, looking down to left at a young man who kneels at the edge of the bank, holding a stick in the water, with thick bushes bordering the hilly slopes around them and sheep grazing in upper left. Artist Biography: Myles Birket Foster was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. A Birket Foster illustration from "The Complete Poetical Works of Henry Wadsworth Longfellow" On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor. Although he had painted great numbers of landscape scenes from Scotland to the Mediterranean, it was after moving to Witley that Birket Foster produced the works for which he is best known—a sentimentalised view of the contemporary English countryside, particularly in the west Surrey area. Although criticised for their idealised view of rural life, they were recognised for their detail and execution. Birket Foster's work (along with that of other artists) was used by Cadburys, the chocolate manufacturer, on the cover of their chocolate boxes from the 1860s onwards. He became ill in 1893 and moved to Weybridge. He continued painting, but died on 27 March 1899. His obituary in The Times referred to him as "certainly the most popular water-colour artist of our time". He is buried at All Saints' Church in Witley. When his father, Myles Birket Foster died, the artist son's obituary was published. His son, Myles Birket Foster (1851–1922), was an organist who composed cantatas for children's voices and wrote a History of the Philharmonic Society, 1913. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. 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Price: 239 USD
Location: Cape Coral, Florida
End Time: 2025-01-19T02:40:38.000Z
Shipping Cost: N/A USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Features: Framed, Matted, Signed
Size Type/Largest Dimension: Medium (Up to 30in.)
Production Technique: Engraving
Listed By: Dealer or Reseller
Subject: Figures
Framed/Unframed: Matted & Framed
Material: Engraving
Print Type: Engraving
Date of Creation: 1800-1899
Framing: Framed
Style: Old Master
Signed: Signed
Type: Print