RY COODER "CHICKEN SKIN MUSIC" 1990 REPRISE EX/EX OOP ROOTS ROCK CLASSIC CD

Description: NOTE: INTERNATIONAL SHIPPING IS STILL BEING AFFECTED BY THE VIRUS, PLEASE CHECK UNDER THE SHIPPING TAB TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BIDDING/BUYING OR YOU HAVE A U.S. “DROP SHIP” ADDRESS... THIS CD COMES FROM MY TIME AT A NATIONAL RADIO NETWORK WHERE I WAS THE MUSIC AND PROMOTIONS DIRECTOR FOR NEARLY 20 YEARS. A RECENT FIND FROM A BOX IN MY STORAGE UNIT.THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY. I HAVE OTHER ITEMS FOR SALE, CHECK OUT MY OTHER AUCTIONS, THANKS! AS I MENTIONED ABOVE FOR NEARLY 20 YEARS I WAS THE MUSIC & PROMOTIONS CORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK.... ALL CD'S COME IN A JEWEL CASE UNLESS STATED OTHERWISE. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI & DISCOGS, ETC. ARTIST: RY COODER TITLE: “CHICKEN SKIN MUSIC” TRACK LISTING: SEE PHOTOS AND BELOW The Bourgeois Blues 3:22 I Got Mine 4:28 Always Lift Him Up 6:01 He'll Have To Go 5:07 Smack Dab In The Middle 3:18 Stand By Me 3:38 Yellow Roses 6:11 Chloe 3:00 Goodnight Irene 4:32 LABEL: REPRISE RECORDS YEAR: 1990 CAT.#: 2254-2 CONDITION: THE CD IS IN EX/EX- CONDITION, THERE IS SOME VERY VERY LIGHT VISIBLE WEAR ON THE PLAYING SURFACE, BUT NO SCRATCHES, PLAYS PERFECTLY. COMES WITH A 12 PAGE BOOKLET WITH GREAT LINER NOTES & PHOTOS. BACK TRAY INSERT IN MINT COD. MORE INFO: THIS CD IS CURRENTLY OUT OF PRINT. FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK. ORIGINALLY RELEASED IN 1976. ARTIST INFO: Ryland Peter Cooder, 15 March 1947, Los Angeles, California, USA. One of popular music’s premier talents, Cooder mastered the rudiments of guitar while still a child. He learned the techniques of traditional music from Rev. Gary Davis and by the age of 17 was part of a blues act with singer Jackie DeShannon. In 1965, he formed the Rising Sons with Taj Mahal and veteran Spirit drummer Ed Cassidy, but this promising group broke up when the release of a completed album was cancelled. However, the sessions brought Cooder into contact with producer Terry Melcher, who in turn employed the guitarist on several sessions, notably with Paul Revere And The Raiders. Cooder enjoyed a brief, but fruitful, association with Captain Beefheart And His Magic Band; his distinctive slide work is apparent on the group’s debut album, Safe As Milk, but the artist declined an offer to join on a permanent basis. Instead, he continued his studio work, guesting on sessions for Randy Newman, Little Feat and Van Dyke Parks, as well as to the soundtracks of Candy and Performance. Cooder also contributed to the Rolling Stones’ album Let It Bleed, and was tipped as a likely replacement for Brian Jones until clashes with Keith Richard, primarily over the authorship of the riff to ‘Honky Tonk Woman’, precluded further involvement. Cooder’s impressive debut album included material by Lead Belly, Sleepy John Estes and Blind Willie Johnson, and offered a patchwork of Americana that became his trademark. A second collection, Into The Purple Valley, established his vision more fully and introduced a tight but sympathetic band, which included long-standing collaborators Jim Keltner and Jim Dickinson. By contrast, several selections employed the barest instrumentation, resulting in one of the artist’s finest releases. The rather desolate Boomer’s Story completed Cooder’s early trilogy and in 1974 he released the buoyant Paradise And Lunch. His confidence was immediately apparent on the reggae interpretation of ‘It’s All Over Now’ and the silky ‘Ditty Wa Ditty’, and it was this acclaimed collection that established him as a major talent. A fascination with 30s topical songs was now muted in favour of a greater eclecticism, which in turn anticipated Cooder’s subsequent direction. Chicken Skin Music was marked by two distinct preoccupation’s. Contributions from Flaco Jiminez and Gabby Pahuini enhanced its mixture of Tex-Mex and Hawaiian styles, while Cooder’s seamless playing and inspired arrangements created a sympathetic setting. The guitarist’s relationship with Jiminez was maintained on a fine in-concert set, Show Time, but Cooder then abandoned this direction with the reverential Jazz. This curiously unsatisfying album paid homage to the Dixieland era, but a crafted meticulousness denied the project life and its creator has since disowned it. Cooder then embraced a more mainstream approach with 1979’s Bop Till You Drop, an ebullient, rhythmic, yet rock-based collection, reminiscent of Little Feat. The album, which included cameo performances from soul singer Chaka Khan, comprised several urban R&B standards, including ‘Little Sister’, ‘Go Home Girl’ and ‘Don’t Mess Up A Good Thing’. Its successor, Borderline, offered similar fare, but when the style was continued on a further release, The Slide Area, a sense of weariness became apparent. Such overtly commercial selections contrasted with Cooder’s soundtrack work. The Long Riders, plus Paris, Texas and Crossroads, owed much to the spirit of adventure prevalent in his early work, while the expansive tapestry of these films allowed greater scope for his undoubted imagination. Cooder continued to work in this medium for much of the 90s and into the new millennium. It was five years before Cooder released an official follow-up to The Slide Area and although Get Rhythm offered little not already displayed, it re-established a purpose to his rock-based work. In 1992, Cooder joined up with Nick Lowe, Jim Keltner and John Hiatt to record and perform under the name of Little Village. However, Cooder then turned his back on rock to pursue his long-standing interest in world music. In the mid-90s he was acclaimed for his successful collaborations with V.M. Bhatt on A Meeting By the River, and with Ali Farka Touré on Talking Timbuktu. Further accolades came in 1997 when he worked with obscure Cuban musicians as the Buena Vista Social Club. The project’s surprising commercial success was due reward for both Cooder and his new musical cohorts, but also landed the guitarist with a $100, 000 fine from the US state department for breaching the embargo against Fidel Castro’s communist regime. Cooder oversaw two further Buena Vista releases spotlighting venerable vocalists Ibrahim Ferrer and Omara Portuondo. A documentary film, Buena Vista Social Club, was made in 1999 by German director Wim Wenders, further helping promote Cuba to the outside world. Cooder recorded one further album in Cuba with local guitarist Manuel Galbán, for which he was granted a special exemption from state department rules by outgoing US president Bill Clinton. Mambo Sinuendo, which was released on Cooder’s Perro Verde imprint, featured a swinging sextet of two electric guitars, two drum kits, congas and bass. With Cooder having spent over a decade concentrating on acoustic instruments, it marked the welcome return of one of popular music’s great electric guitar players. Cooder then embarked on his first proper solo album since 1987’s Get Rhythm. The ambitious Chávez Ravine told the story of the inhabitants of a doomed district of downtown Los Angeles, home to Mexican and other immigrant groups, which was scandalously destroyed in the early 1950s to make way for the LA Dodgers’ baseball stadium. The album featured music and artists from the Chavez Ravine era in addition to songwriting contributions from Chicano veteran Lalo Guerrero, who died shortly before the album was released. NOTE: INTERNATIONAL MAIL IS LIMITED DUE TO THE VIRUS, PLEASE CHECK BEFORE BIDDING OR BUYING THAT I DELIVER TO YOUR COUNTRY, SEE SHIPPING TAB. SINCE U.S. POSTAL RATES RECENTLY WENT UP I AM NOW OFFERING THE OPTION OF 1st CLASS OR MEDIA MAIL FOR THE U.S. & IT'S TERRITORIES, MEDIA MAIL GOES GROUND TRANSPORT SO WILL TAKE A LITTLE LONGER, BUT IT IS CHEAPER, ALSO IF YOU WANT PRIORITY, THAT IS AN OPTION TOO. INTERNATIONAL BIDDERS TAKE NOTE !!! INTERNATIONAL SHIPPING IS BASED ON THE WEIGHT OF THE ITEM AND COUNTRY SHIPPED TO. 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Price: 4.99 USD

Location: Los Angeles, California

End Time: 2024-01-14T05:47:22.000Z

Shipping Cost: 3.92 USD