The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature by Patr

Description: The Drum Is a Wild Woman by Patricia G. Lespinasse Breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs - cry-and-response, the Wild Woman, and the jazz moment - in jazz novels, short stories, and poetry. FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the albums cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within womens writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse. Author Biography Patricia G. Lespinasse is director of undergraduate studies, associate professor of Africana studies and African American and African diaspora literature, and a faculty affiliate in the Department of English, General Literature and Rhetoric and in the Latin American and Caribbean Area Studies (LACAS) program at the State University of New York at Binghamton. She is associate editor of The New Black Renaissance: The Souls Anthology of Critical African-American Studies. And, she teaches courses in blues and jazz literature, Caribbean literature, Africana studies, race, gender, and American film. Review The works discussed all present the urge toward subjectivity and female agency. . . . Valuable for those studying jazz history, feminist studies, and contemporary womens fiction.--B. Wallenstein "CHOICE" Long Description In 1957, Duke Ellington released the influential album A Drum Is a Woman . This musical allegory revealed the implicit truth about the role of women in jazz discourse?jilted by the musician and replaced by the drum. Further, the album?s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women?s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs?cry-and-response, the Wild Woman, and the jazz moment?in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse. Review Quote The works discussed all present the urge toward subjectivity and female agency. . . . Valuable for those studying jazz history, feminist studies, and contemporary womens fiction. Details ISBN1496836030 Author Patricia G. Lespinasse Short Title The Drum Is a Wild Woman Pages 128 Publisher University Press of Mississippi Language English ISBN-10 1496836030 ISBN-13 9781496836038 Format Hardcover Subtitle Jazz and Gender in African Diaspora Literature Imprint University Press of Mississippi Place of Publication Jackson Country of Publication United States Year 2022 AU Release Date 2022-01-04 NZ Release Date 2022-01-04 UK Release Date 2022-01-04 Publication Date 2022-01-30 DEWEY 820.99287096 Audience Professional & Vocational US Release Date 2022-01-30 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:133938024;

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